Apple Logic Pro X (for Mac) Review & Rating. For post- production, film and video game composers, and home- studio musicians alike, Logic Pro X ($1. The latest upgrade, to version 1.
Logic Pro X 10.2 Final is a powerful tool for musicians, which will allow you to create tracks, edit, record and mix tracks. Logic Pro X 10 direct download. Get an in-depth look at Logic Pro X. Dive deep into a vast array of tools for composing, recording, editing, mixing, and more. How to Find Your Plugins in Logic Pro X. Last updated on: 5/25/2017 3:20:40 AM. If you are trying to load your Waves plugins in Logic Pro X but you cannot find them. Amazon.com: Apple 13" MacBook Pro, Retina, Touch Bar, 3.1GHz Intel Core i5 Dual Core, 8GB RAM, 512GB SSD, Silver, MPXY2LL/A (Newest Version): Computers & Accessories.
Pro X owners. The package puts even more pressure on its well- established digital audio workstation, or DAW, competitors, many of which have moved to subscription- based pricing that make them more expensive to buy and maintain over the long term. Unless you need Avid Pro Tools for compatibility with other studios, or simply because you're more familiar with it, Logic Pro remains our favorite mainstream DAW and a clear Editors' Choice. Setup, Installation, and User Interface. To get started with Logic Pro X 1. Mac running OS X v. El Capitan) or later, with at least 4. GB RAM and 6. GB of free space for the base program.
To install everything, including all of the packaged synths, instruments, loops, and effects, you'll need 5. GB free. As always, Logic Pro X doesn't require hardware or software copy protection; as long as you're logged into the Apple Store with your account, you can download, install, and run it seamlessly. For this review, I tested Logic Pro X 1.
Mac. Book Air with the Core i. GB SSD, and 8. GB RAM running mac.
OS Sierra 1. 0. 1. Mac Mini with 1. 6GB RAM and a 2. GB SSD running OS X El Capitan 1. I tested Logic Pro X 1. Focusrite Scarlett 1. Mac's built- in audio, and as expected, I ran into no problems. In fact, I didn't run into any bugs at all; this may be the most stable version of Logic Pro X I've tested in years.
Apple heavily redesigned the interface for the Pro X launch back in 2. It took on a much darker tone that works well for video editing in a dark room, but not necessarily for audio editing.
Apple has lightened things up a bit this time around. It's still not as silvery- bright as Logic Pro 9 was. More significantly, the UI elements and fonts have received a flatter, mac. OS Sierra- like makeover, with a simpler, cleaner design that's easier on the eyes.
The transport numerals get a thinner, sharper font as well. The UI itself remains almost entirely the same, so there's nothing new to learn; it's just a bit cleaner and more attractive throughout. Despite its immense power, Logic remains a simple program to start using, because the main screen can include everything you need from start to finish—depending on how you populate it, of course. Basic tracks are available in several kinds: audio, for recording live instruments; MIDI, for recording MIDI data from a keyboard, electronic drum set, or other input device; and instrument, which combine the two for use with virtual synthesizers and other plug- in instruments. The main view doesn't see much change in 1. The transport is located at the top of the screen and away from any keyboards, mixing surfaces, or other things you may have sitting at the bottom of the monitor and blocking part of the view. The Library contains all available media content; it's on the left and easily collapsible.
The top right portion of the screen contains the arrange window, which is where you do most of your composing and editing. Each track in the arrange window has volume and pan controls. Below that is a multi- mode window that can display the mixer, a piano roll, a score editor, or a sample editor. To the left, a track inspector window shows the mixer channel strip for the individual track, plus the track's output bus—be it the master stereo or 5. The right side pops up a number of windows that cover the tempo and time signature of your project, as well as the current MIDI track's event list, which when combined with the piano roll or score editor, makes it simple to edit your tracks.
The score editor still isn't quite as capable as Finale, but it certainly does the job for songwriters or orchestral arranging in a pinch. Touch Bar and Track Alternatives. Some of the biggest news with the 1. Touch Bar on the newest Mac. Book Pro lineup introduced in October 2.
It can show a timeline view with appropriate region colors, track controls, Smart Controls on a track- by- track or even plug- in basis (such as compressor or EQ controls, or electric piano distortion). Tap on a knob, and you can slide a fader right or left to change its value, which makes sense given the thinness of the Touch Bar; you wouldn't want to try and actually tweak a knob that small in a circular manner. In addition, the Touch Bar supports hundreds of keyboard shortcuts, including customized sets, and you can use the Touch Bar to perform with small drum pads, piano keyboard scales, or even map MIDI continuous controllers to a slider for third- party plug- ins that use the mod wheel for expression, like Garritan Personal Orchestra or Spectrasonics Omnisphere. The Touch Bar enhancements are admittedly tempting enough to consider upgrading to one of the latest Mac. Book Pros, and along with Logic Remote on an i. Pad, could further reduce the need for an expensive hardware transport and mixing controller.
Editing and comping tracks gets a boost thanks to a new Track Alternatives feature, which is similar to a Pro Tools Playlist. It does what it says on the tin; it lets you create alternative versions of a track and then audition and switch between edits, takes, or regions. It's in addition to Take Folders, and as such offers more flexibility when comping a lead vocal or a guitar solo. You can also destructively render selections of a region now; say you've found a combination of effects you like, and know you want to keep it; you can print it right away, just for that region, and then get back to work. Recording and Virtual Instruments. Apple hasn't changed Logic Pro X's built- in sound set much in 1.
There are over 2,7. Most of the instruments are contained in a neat Library drawer that pack the instrument plug- in and separate effects already set up, which makes laying down new tracks a cinch. But for our purposes, let's drill down to the actual plug- ins available. EXS2. 4 continues to be the workhorse sampler it has been for over a decade, and provides the core workstation- style sample set, including drum kits and pianos. Logic's venerable E- series plug- ins (such as ES1, ES2, ES P, the EVP8. That doesn't matter, because you also get Retro Synth, which provides fat- sounding imitations of subtractive, FM, and wavetable- based based vintage synths, and you can even drag any waveform into the wavetable module; the plug- in will automatically look for pitched information and transform it into a playable virtual instrument. You can stack up to eight voices—and you thought your Roland JUNO- 1.
Unison mode sounded thick! The star of the show is now Alchemy, a full- blown additive, spectral, and granular synthesizer originally from Camel Audio that Apple added back in the Logic Pro X 1. I've been meaning to buy a copy of that synth for years to begin with; it used to cost several hundred dollars. Apple redesigned the interface, reworked the filters for a fatter analog- type sound, and added support for importing EXS2. Finally, a separate vintage keyboard and organ collection includes such niceties as B3- style drawbars, a vastly configurable Leslie simulator, and a suitcase- style electric piano. There are also plenty of guitar and bass amp simulators and effects included as well.
I've always been a fan of third- party drum plug- ins like Superior Drummer and EZdrummer, but it's tough to argue with the one built into Logic Pro X. Drummer is an artificially intelligent session player—one of 2. You can adjust the frequency of fills, whether they're using the toms or hi- hats more in a given section, and even the frequency of ghost notes and whether they're rushing the beat (a la Stewart Copeland) or relaxing the groove (a la John Bonham). Drummer can follow other tracks for inspiration; for example, the bass player can set the groove for a performance, and Drummer will take cues from the bass track to figure out where to lock in the kick drum.
You don't have to use Drummer for auto- generated grooves, though; if you're like me, you'll want to program your own grooves. And for that, it sounds great. The Producer Kits include excellent- sounding, multi- channel mixes done by legendary engineer Bob Clearmountain—complete with EQ, compression, and additional processing and routing—and you can see all of the settings to learn what he did with the stock Logic plug- ins.
Drummer can also do electronic music; you can dial up any number of styles and kits, from house and retro to hip hop and electro pop. The interface changes, when appropriate, to something that models a drum machine or Akai MPC- style unit. That said, many of the acoustic drum kits sound somewhat similar, with low tom tuning, highly compressed cymbals, and deeper sounds; there's little funk, crisp heavy metal, jazz, or Latin sounds on offer, though of course you can get there with some tuning. Third- party plug- in support remains extremely robust, and you can organize your favorite plug- ins into folders. In testing, I had no problems opening up and using major plug- ins I own like Spectrasonics Atmosphere and a series of East West Play- compatible orchestral and world- instrument libraries, and mastering tracks with Izotope Ozone worked exactly as before. Mixing and Effects.
Apple spent plenty of time catering to its higher- end customers this time around. For starters, the summing engine has been upgraded from 3. Most working studios and bedroom producers won't hear a difference. But if you've got super- large projects with tons of tracks and higher- end recording gear and studio monitors, this could matter. The more plug- ins you stack, the more you'll hear a difference. There are now 1. 92 busses available instead of 6.
The main mix console offers large faders, pan and other track controls, and as many inserts and sends as you need—once again, with a flatter, cleaner, mac. OS- Sierra- style look. There are welcome analog- style VCA faders available.
Apple Logic Pro X 1. Direct Download. Logic Pro X 1. Final is a powerful tool for musicians, which will allow you to create tracks, edit, record and mix the track. In the program you will find a huge collection of synthetic instruments that can join a recording session, a powerful editor for MIDI, as well as effects and samples to use. Work with multiple paths in Logic Pro X 1. Free Download recalls working with layers.
The path can be grouped in stacks and control the behavior of many at the same time, you can also collect sound from multiple sources and record several tracks at the same time. Smart tools allow you to modify several parameters with a single movement, and the markers allow you to experiment with the order in which section of the song. Projects are saved automatically, so you should not worry about losing hours of work. Tools for production in Logic Pro X 1. Flex Pitch), as well as manipulate tempo and time tracks with vocals (Flex Time). In the manufacture of drums paths you can use the services of 2.
Here, you can reach for tools to create acoustic drum kits or electronic bits from a vending machine. Similar is the case with furnaces and effects for guitars- with the tools to design, you can create not only its own effect, but also design your own pedal- board.
When working with the keys you can reach after classic synths, familiar with pieces of The Moody Blues, Pink Floyd, The Doors, or Deep Purple, or the ability to model their own sound. In the library there were 7.
Logic Pro X 1. 0 Crack can open projects Logic Pro 5 and later, use the plug- ins compatible with Audio Units (AU), and import and export files for collaboration with Final Cut Pro x. Ready tracks you can send away for Sound. Cloud. There were plenty of opportunities to generate notes for a lot of different instruments, groups or the entire team.
Plug- ins. 67 effect plug- ins including Pedalboard, which includes 3. MIDI plug- ins. Custom instrument tuning system including 9. Hermode tuning. 17 instrument and effect plug- ins with true surround support. Sound Library. 32. Patches for Audio, Auxiliary, Software Instrument, and Output tracks. Apple Loops covering electronic genres: Hip Hop, Electro House, Dubstep, Modern R& B, Tech House, Deep House, Chillwave, Vintage Breaks, Indie Disco, Disco Funk and Blues Garage. EXS2. 4 Sampler instruments.
Ultrabeat electronic drum kits with 9. Space Designer. 32 groove patterns for Arpeggiator MIDI plug- in. Crack, Patch, Serial, Key. Gen, Free Download. Title : Download Logic Pro XManufacturer: Apple.
Shared on: October 1, 2. Category: Mac OS XSystem Requirements: OS X v.